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Psychology of Language Science of Language Second Language Acquisition Mathematics for Computer Science Statistics and Probability Units of Measurement 6. Ancient Greek and Roman Philosophy Epistemology Theory of Knowledge And while her marriages to Keating and Wynand hurt him, he realizes that worrying about this state of affairs and living with jealousy achieves nothing. On the other hand, Ellsworth Toohey, whose name alludes to copying or plagiarism in the sense of "me too,?
He has always been dependent on others. He manipulates them emotionally to achieve his own ends-which are simply to control them. Even when he was a child, he had the ability to look at social situations and turn them to his advantage by acting humble and pious but then attacking more talented children behind their backs. At Harvard, he used his phony pious personality to extract funds for the poor out of the wealthy students, all in an effort to shine the light on himself.
As a vocational counselor he took control of the young by herding them into careers for which they weren't suited. In all his efforts, he instills self-doubt when it comes to individualistic thought and only praises efforts that help others. Rand sums up the ideology of The Fountainhead by giving Roark and Toohey philosophical monologues.
Roark presents his monologue as the closing argument in the Cortlandt court case. The epitome of absolute selfish individualism, he speaks calmly and precisely in an open court of law where his inspirational words inspire the jury to set him free.
He looks to the creators of the past who took giant steps for mankind by following their own vision, like the person who brought fire to mankind, and the inventor of the wheel. In contrast, Toohey's monologue is a hysterical rant given in the dead of night in the failed Keating's run-down apartment.
Predictably, his words fall on deaf ears, have no effect and inspire nothing. Dominique and Katie are female figures set in opposition. How does Rand define each-and to what end? Rand creates the self-effacing Katie Halsey as a foil for the highly individualistic Dominique Francon. From the beginning, Dominique Francon, whose name alludes to domination, is a seemingly female form of Roark, cold and unfeeling. She contrasts strongly with the whiny doormat, Katie Halsey, Ellsworth Toohey's selfless niece.
Elegantly clad to a fault, Dominique is described in terms of Roark's architecture, her simple elegance, her clean angular lines and such. However, while Dominique writes about art, she does not create it, but she has the desire, like Roark, not to settle for mediocrity.
She must find a partner of high integrity who is a true creator. She is attracted to Wynand for his power, sincerity and corresponding artistic taste, and would probably have remained happily married to him had he not faltered near the end of the novel by failing to fully defend Roark in the matter of the Cortlandt Homes project.
In the end, Howard Roark is the only man for Dominique and she willingly scandalizes herself to meet him on an equal footing. Katie Halsey, on the other hand, is the female character Rand utilizes to illustrate the personal danger for women involved in altruistic thinking.
From the beginning she accepts Keating without comment. When he promises to see her the following day and shows up three months later she doesn't say a word. Their strange relationship continues for years until Keating asks whether they are engaged-but there is no ring, no bent knee, nothing. She acquiesces as if it was the most natural betrothal in the world.
And, even when he marries another woman on the day they are to be married, she continues on her selfless social pursuits, helping others. At one point, she could have been saved, had she listened to the inner voice warning her to fear her uncle who had for years been mind-washing her into believing she didn't exist as an individual and suggesting she give every moment selflessly to others. Keating soothes her, promises to marry her the following day and then allows his mother to change his mind for him.
Katie is so selfless she apologizes for her behavior. It is not difficult to understand then how in time she comes to be alone and totally enslaved into carrying out her uncle's altruistic orders. How does each character portray an image of success and which one would Rand be more likely to embrace? Society usually views successful individuals as possessing power and wealth.
The more people a person employs, the greater his power, while the amount of yearly income similarly dictates a person's level of social prestige. However, some would measure an individual's personal integrity and self-respect as a greater indicator of success.
Peter Keating and Howard Roark represent these viewpoints, and Rand would definitely favor her character Roark's manner of achieving success. If we were to take into account merely material standards of success, Keating would definitely be considered vastly more successful. He was the valedictorian at Stanton while Roark was expelled.
He leaps up the corporate ladder in a single bound by causing the death of the firm's partner who happened to leave him his fortune, while Roark struggles, at times working as a manual laborer when he fails to get commissions.
Keating makes a brilliant marriage to the beautiful and stylish Dominique Francon, despite the fact that he knows she does not love him. In the process, he breaks the heart of an innocent young girl. In contrast, Roark waits patiently for ten years for the woman he loves. Keating became the top architect in New York almost overnight, this despite the fact that he plagiarizes Roark's designs.
He will build anything for anyone, even the ugliest house in the City for money, while Roark will only build what he wants. And, when Keating is given the chance to save his soul he offers to sell it out of pride to Roark for the Cortlandt design.
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